Nymphs of the winds
The Greeks knew several Aurai, swift, winged nymphs of the air. One tradition makes Aura the daughter of Boreas, god of the north wind.
From the breath of air of the Greeks to aura points in the schoolyard.
Before “aura” was a glow, a charisma or a score, it was simply wind: the cool breath of morning, air in motion.
The Greek αὔρα means breath, cool breeze, moving air. Latin took it over as aura for breeze, wind and the upper layer of air. Behind it, linguists suspect the Indo-European root *wer-, “to lift, to hold suspended”: the same family that gave us aorta and artery.
Even in antiquity the word was used figuratively: for changeable events and for the favour of the people, the aura popularis, which turns like the wind. It reached English in the 14th century still meaning “gentle breeze”. Today’s meanings, a radiance or atmosphere that surrounds someone, only take shape from the 18th century onwards.
The Greeks knew several Aurai, swift, winged nymphs of the air. One tradition makes Aura the daughter of Boreas, god of the north wind.
In the Dionysiaca of Nonnus, Aura is the goddess of the fresh morning air, daughter of the Titan Lelantos and a huntress in the retinue of Artemis. She mocks Artemis’ body as too womanly for a virgin. Artemis calls on Nemesis for revenge, and Dionysus makes Aura drunk with a river of wine and rapes her. One of her twins becomes Iacchus, the god of the Eleusinian Mysteries.
In Ovid, the hunter Cephalus calls out in the midday heat for the cool “aura”, the breeze. An eavesdropper takes Aura for a lover and tells Cephalus’ wife Procris. Jealous, she creeps after him; he takes the rustling in the bushes for game and kills her with his spear. The wordplay with Aurora, the dawn, echoes underneath.
Long before anyone wanted to “see” the aura, it was painted: as a circle of light that signals power and holiness.
Hellenistic and Roman art showed the sun god Helios, and later emperors, with a radiate crown. Because the motif was pagan, early Christian art avoided it at first. Christian emperors used the plain nimbus for their official portraits; from the middle of the 4th century Christ too received this imperial sign, and in the 5th century sometimes angels. Only in the 6th century did the halo become usual for Mary and the saints.
Helios, Roman emperors, later Sol Invictus
Disc of light around the head, Latin for “cloud, mist”
Glow around the whole figure
Almond shape, mostly for the transfigured Christ
About a third of all people with migraine know it: a flickering zigzag arc drifts through the field of vision, trailing a blind spot. After 20 to 30 minutes it is over, and then the headache often comes.
The typical image is called a scintillating scotoma or, because its jagged edges recall the walls of a fortress, a fortification spectrum. It starts small near the point of fixation and grows into a C-shaped arc that travels towards the edge of the visual field. Besides visual disturbances there can also be tingling and numbness spreading from the hand to the face, or problems with speech.
According to current understanding, the cause is not a narrowing of the blood vessels, as was long believed, but spreading depolarisation (cortical spreading depression): a wave in which nerve and glial cells depolarise almost completely, moving across the visual cortex at 2 to 5 mm per minute.
The stroke risk rises especially in women under 50 who smoke or use contraception containing oestrogen. An aura that appears for the first time, one that lasts longer than an hour, or sudden paralysis should be checked by a doctor. This page does not replace medical advice.
The light visions of the 12th-century mystic, with shining stars, circles and a “living light”, were interpreted as migraine auras by the medical historian Charles Singer in 1917. Oliver Sacks took this up in his book Migraine.
Some auras distort size and body perception: things seem tiny or huge. That Lewis Carroll himself had migraines is documented; whether his auras inspired “Alice” remains speculation.
The medical word “aura” is almost 1,900 years old, and it came from the mouth of a patient.
The Roman physician Galen records that a patient of his teacher Pelops described the onset of his seizures as a cold breath rising from his leg up to his head. Ever since, what some people feel before an epileptic seizure has been called an aura.
Since 2017 the International League Against Epilepsy (ILAE) has made it clear: an aura is not a warning sign, it is already a seizure, a focal aware seizure. It can stay as it is or spread into a larger seizure. In seizures from the temporal lobe, around 80% of patients experience such auras.
Fyodor Dostoevsky, himself epileptic, described an ecstatic aura in The Idiot: seconds of supreme clarity and bliss for which one might “give one’s whole life”. Such blissful auras are rare, but well documented.
A pull that climbs from the stomach into the throat. The most common aura in temporal lobe epilepsy.
The feeling of having lived through everything before, or the reverse, jamais vu: the familiar seems strange.
Sudden, often unpleasant smells such as burnt rubber, or a metallic taste.
Fear without reason, more rarely euphoria; a “wave” that runs through the head.
The best-known aura is the one nobody can measure: a coloured glow that supposedly surrounds every person and reveals their character, mood and health.
The idea is less old than it seems. Most of what is said today about the “human aura” goes back to two sources around 1900: Theosophy and a London physician.
Annie Besant and Charles W. Leadbeater, leading figures of the Theosophical Society, published Thought-Forms in 1905: thoughts and feelings, they claimed, create colours and shapes in the aura, visible only to clairvoyants. The book’s colour plates influenced Wassily Kandinsky and Hilma af Klint, and with them abstract art.
In 1911, in The Human Atmosphere, the physician Walter J. Kilner believed he could make the aura visible with glass screens filled with dicyanin dye. He borrowed the term “etheric body” from Theosophy.
These assignments vary widely from school to school and have no empirical basis. They come from Theosophy, the New Age and the colour charts of aura camera makers.
Deep dive The colours of the aura Seven colour systems from Goethe to TikTok, chakra colours old and new, an afterimage experiment, and why readings fit so well. →Semyon Kirlian placed objects on a photographic plate under high voltage and got glowing silhouettes with a radiant halo. Physically this is a corona discharge: the voltage tears electrons out of the air, the ionised air glows, a kind of “slow lightning”. At least 22 factors change the image, among them the pressure and angle of the hand, air pressure, pulse rate and above all moisture, meaning sweat.
The colourful Polaroid with a cloud of colour around your head, the kind you get at fairs and in esoteric shops, shares nothing with Kirlian but the myth. You place your hands on metal plates with sensors that measure skin conductance and temperature. A program translates the values into colours, whose meanings Coggins fixed with a team of psychics, and exposes them over the portrait.
When aura seers are asked to say behind which opaque screens a person is standing, they score at chance level. A 2012 study tested the hypothesis that aura seeing is a form of synaesthesia: the aura readers failed the synaesthesia tests, and the two phenomena differ clearly.
What really exists: Every body gives off heat (infrared, visible with thermal cameras), and cells emit extremely weak light (biophotons, around a thousand times too faint for the eye). Neither has anything to do with the coloured aura of esotericism. People who see coloured fringes around others are often experiencing afterimages: stare at a person against a bright background and the eye produces a fringe in the complementary colour.
“A strange weave of space and time: the unique appearance of a distance, however near it may be.” Walter Benjamin, Little History of Photography (1931)
His example is still the most beautiful: resting on a summer afternoon, following a mountain range on the horizon or a branch that casts its shadow on the one at rest, “that is what it means to breathe the aura of those mountains, of that branch”. So Benjamin, too, reaches back to the original sense: aura is breathed in.
In his famous essay The Work of Art in the Age of Mechanical Reproduction, written in 1935 in exile in Paris, he carries the concept over to art. An original has a here and now, a history, an authenticity. Photography and film multiply it and bring it close. His conclusion: “That which withers in the age of mechanical reproduction is the aura of the work of art.”
UniquenessAuthenticityUnapproachabilityHere and nowCult value
Not a pure loss: without aura, art loses its cult character and becomes political and accessible to the masses. At the same time Benjamin warned that fascism creates an artificial aura around leaders and mass rallies, the “aestheticisation of politics”.
The debate lives on: in museums that defend originals against digital copies, in NFTs that claim digital uniqueness, and in AI images that come into being without any original.
In the summer of 2024 aura became a currency: act cool, composed or brave and you gain aura points; embarrass yourself and you lose them.
The word sits, as nss magazine put it, “halfway between mysticism and video game”: aura as charisma, counted like experience points. According to the Wall Street Journal, content tagged #aurapoints on TikTok rose by 378% from May to June 2024 alone. In October 2024 young people aged 11 to 20 voted “Aura” Germany’s Youth Word of the Year (Jugendwort des Jahres), just ahead of “Talahon” and “Schere”.
2025 brought aura farming: deliberately collecting aura through a relaxed, seemingly effortless presence, with farming borrowed from the gaming term for collecting points over and over. It was made world-famous by eleven-year-old Rayyan Arkan Dikha, who danced on the bow of a longboat at the Pacu Jalur boat race in Riau, Indonesia, to spur on the rowers. His dance was copied around the world, from football teams to police officers in Mumbai. He himself says the dance was spontaneous.
The Earth observation satellite was launched on 15 July 2004 on a Delta II rocket. It measures ozone, aerosols and trace gases and was meant to find out whether the ozone layer is recovering. Its orbit is now drifting; its weakening solar panels are likely to end the mission around 2028.
Aura is a short story by the Mexican author: a young historian moves into the house of an ancient widow and falls for her mysterious young niece, Aura. A classic of fantastic literature, unusually told in the second person.
“Aura” opens her album ARTPOP, a song about veiling and what lies behind the image.
The Pokémon Lucario can sense and steer aura; its signature move is Aura Sphere. Aura is a popular source of power in games and anime generally, from fantasy role-playing games to Avatar. This is where the gaming origin of aura points meets the myth.
In Spanish, Italian and Finnish, Aura is a common girls’ name; in Finland, Aura is also a river that flows through Turku.
The word sells closeness and glamour: digital picture frames, RGB lighting for computers, wellness, cosmetics, hotels. Hardly any word stretches so far, because it means air, light and personality all at once.